Joan Hisaoka Healing Arts Gallery in proud partnership with all six Busboys and Poets locations will unveil IMPLICIT BIAS – Seeing the Other: Seeing Our Self. Curated by Shanti Norris and Carol Dyson, the exhibition features over 45 artists from the entire east coast region including Holly Bass, Leslie Berns, Alex Braden, Tim Davis, Nehemiah Dixon, III, Justyne Fischer, Shaunt’e Gates, David Ibata, Rose Jaffe, Jeffery Kent, William Larkins fromlorton Art Program, Tim Okamura, Manuel Palacio, Herberth Romero, Gwenn Seemel, Ann Stoddard, Eric Telfort, Raphael Warshaw, Omolara Williams McCallister, and Helen Zughaib.

Artists exhibiting at Busboys and Poets include: Salama Arden, Cedric Baker, Leslie Berns, Gina Bowersmith, Summer Brown, Travis Childers, Hebron Chism, larissa Danielle, Nehemiah Dixon, III, Duly Noted Painters, Phoebe Farris PH.D, Adrienne Gaither, Aziza Gibson Hunter, Winston Harris, Courtnee Hawkins, David Ibata, Rose Jaffe, Jeffery Kent, Aselin Lands, Pamela Lawton, Marla McLean, Gringoh, Manuel Palacio, Darien Reece, Herbert Romero, Melina Sapiano, Gwenn Seemel, Shani Shih, Elka Stevens, Eric Telfort, Kim Thorpe, Raphael Warshaw, Will Watson, Jennifer Weigel, Curtis Woody,  and Helen Zughaib..

IMPLICIT BIAS: A subtle attitude or belief that often lies beneath our conscious awareness. This underlying behavior can subliminally cause stereotypical and sometimes unjust associations to form when relating with people of a different cultural background. IMPLICIT BIAS may also cause an unconsciously prejudice decision-making process towards policy and other institutional methodology.

“Maybe, we now realize the way racial bias can infect us, even when we don’t realize it. So we are guarding against, not just racial slurs, but we are also guarding against the subtle impulse to call Johnny back for a job interview, but not Jamal.” – President Barack Obama’s Charleston eulogy at the funeral of the Rev. Clementa Pinckney

We are living in important and dangerous times, where racial bias has stepped into a place that can no longer be ignored. IMPLICIT BIAS – Seeing the Other: Seeing Our Self is an exhibition strives to reflect these serious matters with honesty, integrity, and an urgency these times deserve. The exhibition will not solely depict an introspective view of Bias, but extends to more prevalent matters, such as injustice in all its forms: police, judicial, education, voting rights, and urban planning for example.

IMPLICIT BIAS – Seeing the Other: Seeing Our Self will be on view from September 18 – December 5, 2015, with the Opening Reception on Friday, September 18th, 7-9pm.

“I am very honored to be a part of IMPLICIT BIAS. The work selected for the exhibiton demonstrates exceptional technique and communicates impactful issues. The community needs to know that local artists are actively engages in exploring and sharing concepts of social inequities and injustice.”

– Justyne Fischer, IMPLICIT BIAS Artist

“As an artist educator and community member, the IMPLICIT BIAS exhibition is important becauseit has given artists an opportunity to express themselves on this subject and have a visual voice to be heard within the Washington Metropolitan Community. For the viewer, it opens up an opportunity to see, feel, and look deeper within themselves and the people in their community and question, how do we all react to our own bias’s? It is a chance to look within ourselves to understand the truth and our personal reality.”

– Tim Davis, IMPLICIT BIAS Artist

“The IMPLICIT BIAS show is a perfect example of how artists can speak to important politial issues of the day in a way that is nuanced and engaging with high quality aesthetics. Everyone at the gallery have been a pleasure to work with and has put great care into building relationships with the individual rtists and the larger creative community. The range of arists included in this show are a beautiful cross-section of the DC scene with a thoughtful mix of racially-diverse, emerging, and established, male and female artists. For me personally, it has been an honor to show work alongside nationally-recognized artists such as Tim Okamura and talented emerging artists like Omolara Williams-McAllister. The topic of the show — the hidden biases that keep us separate– is also important in a city such as ours which is undergoing incredible changes in racial and economic demographics.We often think of “healing” as only related to medical condiditons, but by hosting a show that seeks to heal racialized wounds, the Joan Hisaoka Healing Arts Gallery and The Smith Center for Healing and the Arts are truly living up to their names.”

– Holly Bass, IMPLICIT BIAS Artist

And mark your calendars for the following special events:

Media Rise Festival 2015: Problematic Perspectives WorkshopHosted by Media Rise, and featuring Smith Center Co-Founder & Executive Director and co-curator of IMPLICIT BIAS – Seeing the Other: Seeing Our Self, Shanti Norris, join us at 12pm on Thursday, October 1st for Problematic Perceptions, a workshop in which participants discuss how media shapes their perceptions about people of color.

Implicit Bias Curator & Artists’ TalkJoin us on at 3:30pm on Saturday, October 17th for the IMPLICIT BIAS Curator & Artists’ Talk, hosted by Sheldon Scott, for a rare opportunity to hear the featured artists speak about this important exhibition.

“Code Switching” with Kelly King: As a part of IMPLICIT BIAS – Seeing the Other: Seeing Our Self, join us at 6:30pm on Thursday, October 22nd for the “Code Switching”, a moving dialogues workshop with Contradiction Dance and Kelly King.

“InSight: Sightless Party with Holly Bass and Micah John”: Friday, November 13th, 7-9pm. Join us at the Joan Hisaoka Healing Arts Gallery for InSIGHT, an art party in the dark for the IMPLICIT BIAS exhibition—an honest and powerful examination of racial injustice as seen through eyes of some of the region’s most notable artists. Come early to see the work, then don your eye mask to enter a “color blind” social setting with music, drinks, and dancing.

 


Gallery Hours: Wednesday to Friday, 11am-5pm, Saturday, 11am-3pm, and by appointment.
Please note: The gallery will be CLOSED on the following Saturdays, September 26 and October 24. The gallery will also be CLOSED Thursday, November 27 through Saturday, November 29 for Thanksgiving.

Joan Hisaoka Healing Arts Gallery is located at 1632 U Street, in Northwest DC
Learn more about the Joan Hisaoka Healing Arts Gallery

Special thanks to our sponsors:

All of our specially featured Jackson Family Wines & Monument Fine Wines are available for purchase at Calvert Woodley!

Supported by:

A place of refuge or safety; an oasis, retreat, and safe haven; a consecrated place – a sanctuary can serve all of these functions. Seen as a place of safekeeping and as a space where transformation can take place, the idea of “sanctuary” has long provided artists with the inspiration to create. Curated by Smith Center for Healing and the Arts’ executive director Shanti Norris, and in collaboration with the Washington Sculptors Group comes Sanctuary, exploring the concept of how space can create refuge.

Sanctuary features the work of Salamah Arden, Alan Binstock, Gloria Chapa, Jeff Chyatte, Joel D’Orazio, Alonzo Davis, Annie Farrar, Pattie Porter Firestone, Tom Greaves, Artemis Herber, Liz Lescault, Ruth Lozner, Claire McArdle, Rima Schulkind, Mike Shaffer, Lynda Smith-Bugge, Marcos Smyth, Paul Steinkoenig, Garrett Strang, Isabelle Truchon, Pat Wasserboehr, Janet Wheeler, and Millicent Young.

Featuring indoor and outdoor installations as well as small and large-scale sculptures, Sanctuary challenges our assumptions about art as it extends into our personal spaces and how it can serve as a sacred space.

Sanctuary will be open from June 12 – August 15, 2015. Join us at the Opening Reception on Friday, June 12th from 7-9pm. And join us on Saturday, July 18th at 3:30pm for a rare chance to meet the featured artists and curator Shanti Norris, as they discuss the processes and inspirations behind their works at the Sanctuary Curator & Artists’ Talk.

All artwork will be available for sale during the exhibition, with proceeds supporting the artists, ArtWorks for Freedom, and Smith Center’s cancer support programs.

Image: Millicent Young, Liminal


Gallery Hours: Wednesday to Friday, 11am-5pm, Saturday, 11am-3pm, and by appointment.
Please note: The gallery will be CLOSED on Friday, July 3 and Saturday, July 4, 2015.

Joan Hisaoka Healing Arts Gallery is located at 1632 U Street, in Northwest DC
Learn more about the Joan Hisaoka Healing Arts Gallery

Special thanks to our sponsors:

All of our specially featured Jackson Family Wines & Monument Fine Wines are available for purchase at Calvert Woodley!

Supported by:

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This November, Decorative Arts curator and recognized fiber artist, Jennifer Lindsay, invites emerging and established local artists to envision the gallery as a home (and as a work of art). Taking inspiration from a continuum of modern movements in art and architecture, Lindsay revives the spirit of early twentieth-century artists, architects, and designers who believed that the artful home – a balancing of aesthetics, function, and social purpose – could transform the individual, the community, and ultimately, the city itself. 

Urban Bungalow features new work, one-of-a-kind objects, site-specific installations, and limited productions by Shawn Arlauckas, Joseph Corcoran, Art Drauglis, Yoshi Fujii, Sylvia Gottwald, Matthew Hyleck, Gretchen Klimoski, David Knopp, Tamara Laird, Laurel Lukaszewski, Peter Malinoski, Yoko Sekino-Bovè, Vicco von Voss, and Caleb Woodard.  Furniture, glass, ceramics, textiles, jewelry, electric guitars, and skateboards handmade for the twenty-first century showcase diverse and individual approaches to working with both traditional and new materials.

In line with the art historical concept of a “total work of art,,” Lindsay thoughtfully selects works that seamlessly relate to, and engage viewers with the gallery’s contemporary architectural and design details.  The collection intermixes lively, organic forms, with natural and richly decorative surfaces to echo the space’s biomorphic ceiling ‘clouds,’ undulating, mirrored mosaic, and cascades of handmade paper cranes.  Elemental form language, freshly imagined and interpreted for our time by a new generation of artists, recalls the more radical movements in art and architecture – Arts and Crafts, Art Nouveau, Expressionism, Surrealism – and references the durable influence of global cultures and traditions that continue to shape American modernism and contemporary art and craft today.

Above all, the works in Urban Bungalow are extensions of the taste, skill, personality, aesthetic interests, questions and problems, and the humor and insight of the artists who make them. They work with various natural materials – reclaimed, repurposed and selected out of concern for the environment or for their historical or cultural significance. The artists use new or compound materials for their tensile strength and sculptural properties. Whether with wood grain, hot glass, wet clay, or even hand-built electronics layered to produce a custom sound, these artists work at the very limits of what is possible to achieve a synergy of form, function, and expressive power in each object on view.

Urban Bungalow challenges our assumptions about the art we use and live with and where and how it is made. It initiates us into the privilege of experiencing exceptional objects created by local artists whom we can also come to know.  The art and functional objects – sensuous, sculptural, tactile, imaginative – are pleasurable to have, hold, use, and pass on to future generations; they promise to alter our quotidian routines into rituals we anticipate and savor, and to connect us to the continuum of human creativity.

“It is not in the monumental buildings, but in the home, in the living and working place, and in [our] contact with even the smallest objects [we] use and with which [we] live, that a valid art form is created.” − Eliel Saarinen, Cranbrook Academy of Art, 1932

Urban Bungalow will be open from October 31 – December 20, 2014. There will be an Opening Reception on Friday, November 7th, 7-9pm, as well as the Curator and Artists’ Talk & Holiday Gift Sale on Saturday, November 22 at 3:30pm.

Urban Bungalow will also feature two hands-on fiber workshops, open to all levels, led by the show’s curator and recognized fiber artist, Jennifer Lindsay.

Introduction to Sashiko Embroidery: Embellish It!Put New Life Into Old Clothes

Saturday, December 6, 11am-3pm.

Try out this relaxing and meditative form of embroidery in a beginner workshop. Sashiko, which originated in Japan for patching, mending and re-purposing old garments and household textiles, has become a decorative art form in its own right, and is experiencing a huge revival in fashion and home decor. Use stencils and traditional Sashiko threads to make an old garment look exciting and wearable again. Bring your own garment, all other materials will be provided. Registration is required to attend this workshop (Material Fee: $25).

Introduction to Hand Spinning: Spin It! — Make Your Own Yarn

Wednesday, December 10 from 6-7:30pm

Get in on the newest DIY trend – make your own drop spindle and learn how to hand spin your own yarn with Jennifer Lindsay, fiber artist and arts educator. Then choose from an assortment of fibers provided and learn to spin. You may not be able to learn to make yarn in just one session, but you’ll get everything you need to get started. Registration is required to attend this workshop (Material Fee: $10).

Please note: The gallery will be closed on 11/27 – 11/29 for the Thanksgiving holiday.

Images:

(top) Caleb Woodard, Maelstrom cabinet, solid American black walnut

(bottom) Joseph Corcoran, Language, mirrored blown glass


Gallery Hours: Wednesday to Friday, 11am-5pm, Saturday, 11am-3pm, and by appointment.

Please note: The Gallery will be closed on 11/27-11/29 for the Thanksgiving Holiday.

Joan Hisaoka Healing Arts Gallery is located at 1632 U Street, in Northwest DC
Learn more about the Joan Hisaoka Healing Arts Gallery

Special thanks to our sponsors:

All of our specially featured Jackson Family Wines & Monument Fine Wines are available for purchase at Calvert Woodley!

Supported by:

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Guest curator and renowned artist Martha Jackson Jarvis unites the provocative works of emerging artists Shaunté Gates and Njena Surae Jarvis as they explore the body as metaphor, challenging the torpid qualities of painting and sculpture with a sense of didactic theater and enigmatic forms. Their works command and redefine space with mysterious pairings of disparate forms and malign compositions. There is a non-static reconfiguration, reconstruction and reinvention that occurs simultaneously that both disturbs and stimulates.

Both artists in their practice engages multiple forms of media; performance, video, and numerous materials to create socio-dynamic environments frozen in time and space. Each artist evokes the feeling and connotation of a sagacious still from a futuristic movie set or film clip. These young energetic artists, Njena Surae Jarvis and Shaunté Gates, provide us a non-linear transfixing glimpse of immortality and intrinsic momento mori.

We, as viewers, are made part of this ever-changing matrix that remains haunting, unknowable, and in a state of flux. We are never given entirety or convenient answers; rather, we are forced to discern, to distill, and, diverge from orthodoxy and conventional expectations, to complete the imaginative narrative unfolding before us. Divergence presents a complex forum and exacting commentary on contemporary life, challenging us to expand our vision and courageously walk life’s knife-edge, to perceive and find meaning in the gaps and unexplored places that connect us one to another.

…I’m thinking in this age of technology how we are becoming more connected in ways via internet, and media, that compromise our true connections with one another, both spiritual and physical.” – Shaunté Gates

As an artist who works in a variety of media, I dispute the chasm between the realm of memory and the realm of experience. My work generates diverse meanings as a result, associations and meanings collide and intertwine. Space becomes time and language becomes image.” – Njena Surae Jarvis

Divergence 2014 from Smith Center on Vimeo.
Interviews & Production by Shefa Nola Benoit, photographs by Anthony Palliparambil, Jr.

 

Divergence will be open from September 6 – October 25th, 2014. There will be an Opening Reception on Friday, September 12th, 7-9pm, as well as the Curator and Artists’ Talk on Thursday, October 16th at 6:30pm.

Please note: The gallery will be closed on 10/10 and 10/11 for an on-site cancer retreat.

Special thanks to John Paradiso at 39th Street Gallery for the creative incubation of this artistic pairing and ongoing support of our work. Check out their September exhibition at http://www.39thStreetGallery.com.

IMAGE:
(above) Shaunté Gates, Puppet Test
(below) Njena Surae Jarvis, Head and Arm

Gallery Hours: Wednesday to Friday, 11am-5pm, Saturday, 11am-3pm, and by appointment.

Please note that the gallery will be closed on October 10th and 11th for an on-site cancer retreat.

Joan Hisaoka Healing Arts Gallery is located at 1632 U Street, in Northwest DC
Learn more about the Joan Hisaoka Healing Arts Gallery

Special thanks to our sponsors:

All of our specially featured Jackson Family Wines & Monument Fine Wines are available for purchase at Calvert Woodley

Supported by:

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As visionary observers of our material world, artists employ masterful techniques – carving, sewing, photographing, and collaging – to alter what might otherwise be discarded fragments of our everyday lives into thought-provoking works of art. Used clothing is revitalized as an intricate textile. Crumpled valet tickets and a tattered animal cracker box take the form of a monoprint. Bobby pins transform into a precious triptych. Vintage oil cans reappear as the human form.

The same cultural articles that most of us pay little attention to and simply use as we go on with our daily lives hold a sublime allure over the featured artists. When asked where they “find” their unusual supplies the artists’ common response is that the materials seem to find them rather. Antique foundry patterns inspire Kim Boggs, rusty junkyard fragments enchant Lee Wheeler, and sidewalk debris captivates Brian Petro. Where most of us see only one identity or ego for these commonplace objects, the artists’ ingenious alterations elevate these objects into fine art and ultimately bestow new identities.

Stripping the material’s original function, the featured artists challenge us to see new realities, beauty, and even the sublime in the unexpected objects all around us. Altered Ego brings together the provocative and reclaimed works of Gwendolyn Aqui-Brooks, Kim Boggs, Matt Hollis, Maria Karametou, Donna McCullough, Brian Petro, & Lee Wheeler. To hear the artists speak about their works, scroll down and view the video featuring images of Altered Ego works and interviews with the artists!

Altered Ego will be open from June 4 – August 23, 2014, with an opening reception on Friday, June 13th from 7-9pm. Join us on Saturday, July 19th at 3:30pm, for the Altered Ego Artists’ Talk — a rare chance to meet the featured artists as they discuss the processes and inspirations behind their altered works. A reception will follow the dialogue where visitors can chat with the artists. Scroll down to learn more about additional Altered Ego events!

Hear what the artists of Altered Ego have to say about their reclaimed works!

A special thanks to Shefa Nola Benoit for producing this video!

(Smith Center on Vimeo.)

Additional Altered Ego Events:

Mini Art Quilt Workshop with Altered Ego artist, Gwendolyn Aqui-Brooks

Thursday, July 10 6-8pm

Come out and enjoy a fun-filled, hands-on workshop with Altered Ego art quilt artist Gwendolyn Aqui-Brooks. Work with reclaimed materials, such as exotic fabrics, ribbons, netting, buttons, safety pins, sequins, etc. Registration is required to attend this event.

Cross-Pollinate Returns: Literary Art Tour

Saturday, August 9 at 3:30pm

Cross-Pollinate‘s poets have been experiencing the summer exhibition, Altered Ego, since its opening, and writing new literary works prompted by the artworks. Tour participants will be given a new experience to “see” the exhibition through the poet’s lens as the writers perform their literary works beside the artworks that inspired them. A short reception will follow the reading. Writers include: Genevieve Deleon, Melanie Figg, Steve Godwin, Whitney Gratton, Danielle Kuczynski, Chloe Yelena Miller, and Reuben Silberman.

Please note: The gallery will be closed on July 4th & 5th, 2014.

IMAGE:
Donna McCullough, Team Sunoco Mercury, Vintage oil cans, 2011

 


Gallery Hours: Wednesday to Friday, 11am-5pm, Saturday, 11am-3pm, and by appointment.

Please note that the gallery will be closed on July 4th and 5th.

Joan Hisaoka Healing Arts Gallery is located at 1632 U Street, in Northwest DC
Learn more about the Joan Hisaoka Healing Arts Gallery

Special thanks to our sponsors:

All of our specially featured Jackson Family Wines & Monument Fine Wines are available for purchase at Calvert Woodley

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Opening Reception – Friday, January 17, 7-9pm

Opening January 10, 2014, the Joan Hisaoka Healing Arts Gallery is pleased to present A Window into the Mind’s Eye.

Drawing a line with a pencil may seem like a simple act. But through the single action of placing a pencil to paper, an artist has the profound ability to transport a viewer directly into the artist’s personal and ephemeral experience, thus providing the viewer a window into the artist’s own mind’s eye. Some artists observe the world like scientists, and use the line to record the fine details of the natural world, which as casual viewers we fail to notice in our normal lives. Other artists use the line to depict an image an observer could never see; the surreal world occurring only within the artist. However, regardless of how an artist chooses to depict their experience with the world around them, they all share the same seemingly simply building blocks to provide a window into the artist’s mind – a pencil and a line. A Window into the Mind’s Eye features the work of Hsin-Hsi Chen, Lee Gainer, Yaroslav Koporulin, Beverly Ress, & Jowita Wyszomirska.
A Window into the Mind’s Eye will run from January 10 thru March 15, 2014, with the Opening Reception on Friday, January 17, 7 to 9pm. Please also join us for the Artist’s Talk on Saturday, February 22 at 3:30pm, as the artists discuss the processes and inspirations behind their hand-drawn works, followed by a casual reception.
IMAGES:
Above: Hsin-Hsi Chen, Lux III, Pencil, gesso, wood & LED light, 2013
Below: Lee Gainer, Kitchen Table Collective, Acrylic on handcrafted cradled panel, 2013

 


Gallery Hours: Wednesday to Friday, 11am-5pm, Saturday, 11am-3pm, and by appointment.

Joan Hisaoka Healing Arts Gallery is located at 1632 U Street, in Northwest DC
Learn more about the Joan Hisaoka Healing Arts Gallery

Special thanks to our sponsors:

All of our specially featured Jackson Family Wines are available for purchase at Calvert Woodley

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This January, in collaboration with ArtWorks for Freedom, a nonprofit organization whose mission is to use the power of art in the fight against modern slavery and human trafficking, we present Bought & Sold: Voices of Human Trafficking, featuring photography by Kay Chernush and an installation by Barbara Liotta. In this eye-opening exhibition we hope to transform public attitudes, inspire anti-trafficking action, and give voice to survivors. The aesthetic allure of Kay Chernush’s striking images draws the viewer in, pulling back layers that reveal survivors’ realities, while Barbara Liotta’s installation addresses translucent lives and razor boundaries.

Buy Art, Not People.

Bought & Sold: Voices of Human Trafficking will be open from January 9 – March 7, 2015. Join us at the Opening Reception on Friday, January 9th from 7-9pm.

Bought & Sold: Voices of Human Trafficking will also feature special events led by the show’s curator and featured artist, Kay Chernush.

Artists’ TalkSaturday, February 7, 3:30pm

Join us for a rare chance to meet the featured artists, Kay Chernush & Barbara Liotta, as they discuss their process in creating work to impact the fight against human trafficking. A reception will follow the dialogue where visitors can engage the artists with their questions.

Suns are Suns – words, music, and movement by Dawn Saito– Thursday, February 19, 6:30pm

Actress, writer, Butoh dancer & choreographer Dawn Saito will perform an excerpt from her multidisciplinary theatre piece about a trafficked woman. Afterward, join our discussion about art and social change, with Dawn and ArtWorks for Freedom founder & director, Kay Chernush.

All artwork will be available for sale during the exhibition, with proceeds supporting the artists, ArtWorks for Freedom, and Smith Center‘s cancer support programs.

 


Gallery Hours: Wednesday to Friday, 11am-5pm, Saturday, 11am-3pm, and by appointment.

Joan Hisaoka Healing Arts Gallery is located at 1632 U Street, in Northwest DC
Learn more about the Joan Hisaoka Healing Arts Gallery

Special thanks to our sponsors:

All of our specially featured Jackson Family Wines & Monument Fine Wines are available for purchase at Calvert Woodley!

Supported by:

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Opening Reception – Friday, November 8, 7-9pm
Meet the artists and witness the unveiling of the U St. Façade Yarn-Bomb Garden

Opening November 8, the Joan Hisaoka Healing Arts Gallery is pleased to present Against the Bias, featuring artists working against the grain and masterfully transforming commonplace materials and methods—sewing, crocheting, knitting, embroidering, and quilting—into contemporary reflections on community, historical legacy, identity, and even the sacred. The 8 featured artists dramatically modernizing these once “domestic” materials include Emily Biondo, Hannah Brancato, Stacy Cantrell & a team of yarn-bombers, Lily deSaussure, Jo Hamilton, Jesse Harrod, Jimmy Miracle, and Amber Robles-Gordon.

Yarn, thread and fabric were historically associated with “women’s work” and hence works made from such materials were often relegated to the category of mere craft, yet with the 1960’s feminist movement, these once humble materials began to enter the realm of contemporary art worldwide.  With each knot, stitch, and loop the selected artists disrupt our collective expectation of what these traditional materials can do; images of homemade holiday sweaters and Gran’s baby blanket are daringly replaced with avant-garde works that speak to the present moment.

Despite their shared starting point – a skein of yarn, spool of thread, or yard of fabric – the featured artists take divergent paths creating works that are as varied as their points of view.  Amber Robles-Gordon and Jesse Harrod are both drawn to found fabric and embellishments, yet they each sculpt their materials into unique forms that speak to the complex entanglement of identity, gender, culture, and history.  Not limited by a frame, Harrod & Robles-Gordon’s works grow and expand with each layer of ribbon, sequins, cut fabric, and wire.  Robles-Gordon equates this sculptural layering with her own sense of self or her “hybridism: a fusion of my gender, ethnicity, cultural and social experiences,” while Harrod connects the same layering approach with the historical implications contained within the fabric itself – “evidence of deeply entrenched?colonial, gendered, and class-based oppression.”

In quiet contrast to Robles-Gordon & Harrod’s bold statements, Jimmy Miracle & Lily deSaussure offer their delicate thread musings, which appear to us as private meditations on memory and perhaps even the sacred.  Lily deSaussure emphasizes the intimate tactility of hand-embroidery by luring us in to closely examine and study her minimal and intricate works.  We can almost feel the book in our hands, yet the white-on-white palette and fleeting gestural quality of the sewn images give the work a ghostly presence.  Similarly, by weaving a translucent web of thread into a found wood form Miracle magically elevates the commonplace into an ethereal object, evoking the sacred.

Reviving the materials and techniques of their creative ancestors the remaining four artists – Jo Hamilton, Emily Biondo, Hannah Brancato and Stacy Cantrell – create works to tell and preserve personal and communal stories. Both Jo Hamilton and Emily Biondo learned to crochet from their grandmothers, but they use the passed down technique to tell stories of their present experience.  Hamilton tells the story contained within her subject’s faces – every wrinkle, shadow, and plane is painted in yarn.  Meanwhile, Biondo creates a provocative foil by coupling vintage crochet doilies made from audio wire with sound bytes from modern female experts discussing their fields of expertise.  In her choice of visual forms she recalls images of the domesticated woman, but acoustically she shatters that antiquated gender role by playing clips of accomplished female professionals.

Further extending past traditions, Cantrell and Brancato resurrect knitting circles and quilting bees in their artistic processes.  Brancato is part fine artist, part community activist: instead of isolating in her studio she creates immersive experiences that engage her community and bring to light important social and political issues.  Stacy Cantrell is a local leader in the yarn bombing movement – a temporary and proud feminist version of graffiti art that took off in the early 2000s to soften sterile, urban spaces.  For this exhibition, Cantrell has been leading a passionate team of yarn-bombers to create a work that will grow and overtake the Gallery’s U street façade.  Over the course of four weeks she collaborated with expert crocheters and knitters, as well as our local community members, to contribute knit or crochet elements in overwhelming the front façade with a yarn cacti and succulent garden, even wrapping pots and banisters with colorful yarn pieces.  Cantrell will unveil this outrageous public art piece on November 8th, which will announce the exhibition from the street and invite visitors into the gallery, where they are sure to be further entangled in the unexpected transformations of yarn, thread, and fabric contained within. Click here to see what USA Today had to say about the Yarn-Bomb Garden!

Against the Bias will run from November 8 thru December 21, 2013, with the Opening Reception & U St. Yarn-Bomb Unveiling on Friday, November 8, 7 to 9pm.  Please also join us for the Artists’ Talk on Saturday, December 7 at 3:30pm, which will be followed by a craft gift sale and a holiday crochet tutorial from our yarn-bomb curator, Stacy Cantrell.

Special thanks to our yarn-bomb “Dream-Team:” Alice Abrash, Niya Coslty, Katherine French, Charles Holder, Deirdre Holdery, Amy Kachel, Margaret Meyer, Anne Leamon, Jennifer Lindsay, Jackie Ogg, Carola Van Cleef, Linda Mierke & Rebecca Stone Gordon.

Special Thanks to our yarn sponsor, Red Heart, and our local yarn donors:

 

 


Gallery Hours: Wednesday to Friday, 11am-5pm, Saturday, 11am-3pm, and by appointment.

Joan Hisaoka Healing Arts Gallery is located at 1632 U Street, in Northwest DC
Learn more about the Joan Hisaoka Healing Arts Gallery

Special thanks to our sponsors:

     

All of our specially featured Jackson Family Wines are available for purchase at Calvert Woodley

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For his first exhibition in D.C., New York City-based painter Tim Okamura unveils a collection of eleven portraits depicting women who were primarily born and raised in the D.C. area, and have witnessed the city’s evolution over the last few decades.

Tim Okamura is perhaps best known for his portraits of Hollywood celebrities and his commanding depictions of African-American and minority subjects set against Brooklyn facades.  Born in Edmonton, Canada and educated at the Alberta College of Art & Design and New York’s School of Fine Arts, Okamura was shortlisted to paint an official portrait of Queen Elizabeth in 2007 and selected nine times to appear in the prestigious BP Portrait Award Exhibition at the National Portrait Gallery in London.  A recipient of the 2004 Fellowship in Painting from the New York Foundation for the Arts, Okamura has exhibited throughout galleries in the U.S. and Canada.
Once referred to as the “Caravaggio of our time,” Okamura expertly blends seemingly disparate styles – Baroque, Realism, and Graffiti – to create striking portraits capturing the raw energy of urban culture while evoking the ageless allure of storytelling.  In coupling his subject’s dramatic, Baroque lighting with the edgy, Graffiti-laden architectural backdrops he infuses each work with a gripping dynamism and masterfully blurs the line between the individual and their environment, with the end result being the city and citizen fuse into a singular portrait.
Working closely with Okamura over the past year we invited him to immerse himself in our U Street neighborhood and introduced him to artists, musicians, socialites, members of the military, mothers, daughters, and even “spiritual sisters.” The eleven women portrayed in Depicted/Connected have experienced first-hand D.C.’s evolving character from the tumultuous lows and transformational highs – witnessing the city’s battle with crime and poverty, gentrification, the emergence of Go-go music, and the election of our nation’s first African-American president.  Okamura describes his experience coming to know D.C. through the stories of these women and unexpectedly the broader connection their narratives revealed: “The women in these paintings are depicted as seen through my self-constructed lens – one that has formed over time through my life-long fascination with the emotionally expressive power of the human face. I view my subjects through this lens in an attempt to document a spiritual resonance, which transcends outward appearances and challenges preconceived perceptions. I have sought to celebrate these women as individuals, connected to their environment, but also to discover through them metaphors for greater aspects of the human condition – connected to all of us.”
And don’t miss the Depicted/Connected Artist’s Talk with Tim Okamura on Thursday, October 17th at 6:30pm! For more information, click here.

Depicted/Connected is part of Art4All DC (September 13-October 6) presented by Cultural Tourism DC. A complete calendar of events can be found at CulturalTourismDC.org or art4alldc.org.

Gallery Hours: Wednesday to Friday, 11am-5pm, Saturday, 11am-3pm, and by appointment.

Joan Hisaoka Healing Arts Gallery is located at 1632 U Street, in Northwest DC
Learn more about the Joan Hisaoka Healing Arts Gallery

Special thanks to our sponsors:

    

All of our specially featured Jackson Family Wines are available for purchase at Calvert Woodley

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Opening June 21, 2013, at the Joan Hisaoka Healing Arts Gallery, From the Outside will present new works from the hands of raw, outsider, primitive, fantastical, brut, untrained, visionary artists. Following last summer’s successful Messages From Outsiderdom exhibition, this visionary art reprise will bring feature the untamed work of nationally-recognized visionary artists—and some you’ve never heard of.

Unlike other art genres, visionary and outsider art can neither be defined simply as one movement set in time nor spelled out in academic terms, rather it is truly only understood when experienced and witnessed first-hand. Perhaps one of the best definitions of visionary and outsider art comes from artist and visionary art proponent Jean Dubuffet. He writes,

“By [Art Brut] we mean pieces of work executed by people untouched by artistic culture, in which therefore mimicry…plays little or no part, so that their authors draw everything from their own depths and not from clichés of classical art or art that is fashionable. Here we are witnessing an artistic operation that is completely pure, raw, reinvented in all its phases by its author, based solely on his own impulses.”1

What is most essential to the definition of visionary or outsider art is the raw energy and primal electricity that these works seem to emit. By definition, Dubuffet’s term Art Brut means ‘raw art’ – raw in that it is unaltered and ‘uncooked’ by culture. It somehow exists in a realm all its own. However, we occasionally also place select trained artists under the visionary category. In this seemingly endless search for a comprehensive definition of visionary art, Dubuffet perhaps put it best when he said, “Art is at its best when it forgets its very name.”2

In his A Manifesto of Visionary Art, author and visionary artist Laurence Caruana writes “Art of the visionary attempts to show what lies beyond the boundary of our sight.”3 We invite you to look beyond the boundary of your sight and experience this fantastically unique art form for yourself. From the Outside features the work of Areli & Manuel, Candy Cummings, Jim Doran, Bradford Elliott, Tina Lassiter, Glenn Richardson, Matt Sesow, Maria Simonsson & Kathy Beynette, and Dolly Vehlow.

And don’t miss the From the Outside Artist’s Talk on Thursday, July 25th from 6:30-8:30pm! For more information, click here.

In conjunction with the exhibition, we invite you to unleash your inner visionary in a collage workshop led by one of From the Outside’s featured artists:

An Evening in the Garden of Goddess Delight with Tina Lassiter

Thursday, July 11th, 6:30-8:30pm | $25, registration required

To register and for more information, click here.

1 Collection de l’Art Brut. <http://www.artbrut.ch/en/21006/outsider-art-definition>

2 American Visionary Art Museum. <http://www.avam.org/stuff-everyone-asks/what-is-visionary-art.shtml>

3 A Manifesto of Visionary Art. <http://www.visionaryrevue.com/webtext/longman1.html>


Gallery Hours: Wednesday to Friday, 11am-5pm, Saturday, 11am-3pm, and by appointment.

Joan Hisaoka Healing Arts Gallery is located at 1632 U Street, in Northwest DC
Learn more about the Joan Hisaoka Healing Arts Gallery

Special thanks to our wine sponsor Majestic Fine Wines:

  

 All of our specially featured Majestic Fine Wines are available for purchase at Calvert Woodley

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