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Exhibition

Good Medicine: A Collection of Healing Forces

February 25th, 2023 – May 8th, 2023

Opening Reception February 25th from 6-9 pm

Senora Lynch (Haliwa Saponi)

Sue fish (Chickasaw)

Cindy locklear (Lumbee)

Jane Osti (Cherokee)

Tony Tiger (Sac & Fox / Seminole Good Medicine)

Starr Hardridge (Muskogee)

Chase Earls

Harlen Chavis (Lumbee)

Dennis Wilkins (Lumbee)

Kelly Church (Grand Traverse / Band Ottawa / Chippewa)

Kelly Church (Grand Traverse / Band Ottawa / Chippewa)

Kelly Church (Grand Traverse / Band Ottawa / Chippewa)

Kelly Church (Grand Traverse / Band Ottawa / Chippewa)

Kelly Church (Grand Traverse / Band Ottawa / Chippewa)

Khinsley Locklear

Khinsley Locklear

Khinsley Locklear

Molly Murphy

Molly Murphy

Molly Murphy

Molly Murphy

Ben Harjo

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About the Exhibition

“Indian country is shaped with many diverse nations of people who live throughout what is now the United States. The beauty and power of language, beliefs, culture, and identity widely vary from region and people.  What is similar among us, however, are traditions of medicine. Like a thread of sinew stitching us together, our medicine traditions are much alike. There are two functions of medicine: wellness and healing. Practicing traditional forms of medicine both ensure health, but also heal us from illness. Balance is the first form of medicine. Laughter is the essential form of medicine. Prayer is the spiritual form of medicine. Love is the emotional form of medicine. Plants are nature’s form of medicine. Knowledge is the shared form of medicine. Art is the innate human form of medicine. Collectively together, these forms become forces in wellness and healing. Forces that preserve and protect lives when people fall ill and the forces that protect the caregivers when sharing good medicine.  

Good Medicine: A Collection of Healing Forces shares American Indian art that speaks to the indigenous forms of health and healing. Drawing on the forms of medicine, the Native artists featured in this exhibit share their beliefs and representation of health, healing, and good medicine. The allegory in each piece represents living traditions among indigenous people that transcends generations. The purpose of curating this exhibit is the collective medicine conveyed through the art has a positive effect on you, in health and even sickness. The medicine that is offered in this exhibit will heal you in ways you need and provide comfort and wellness on your journey. Every participant in this exhibit is honored to share good medicine with you.”

-Nancy Strickland Fields, Guest Curator and Director of the Museum of the Southeast American Indian

Artists

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Artist

Ben Harjo

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Artist

Brent Greenwood (Chickasaw/ Ponca)

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Artist

Chase Earls

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Artist

Cindy locklear (Lumbee)

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Artist

Dennis Wilkins (Lumbee)

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Artist

Harlen Chavis (Lumbee)

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Artist

Jane Osti (Cherokee)

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Kanchan Balsé

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Artist

Kelly Church (Grand Traverse / Band Ottawa / Chippewa)

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Artist

Khinsley Locklear

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Artist

Molly Murphy

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Artist

Senora Lynch (Haliwa Saponi)

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Artist

Starr Hardridge (Muskogee)

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Artist

Sue fish (Chickasaw)

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Artist

Tony Tiger (Sac & Fox / Seminole Good Medicine)

Ben Harjo

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Brent Greenwood (Chickasaw/ Ponca)

“Food is medicine and the three sisters of corn, beans, and squash are indicative of that. The plants thrive when they are cultivated together in this form of companion planting; with the corn serving as a base from which the others flourish and nourish one another. I used elements of the plants to represent the dresses and our connectedness to the earth while also referencing an idea I had once while drawing a corn husk doll. The facial features are very minimal because I invite my viewer to see who they want to see.”

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Chase Earls

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Cindy locklear (Lumbee)

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Dennis Wilkins (Lumbee)

The fan is used in all aspects of healing. To direct the smoke when we smudge, to fan the flames during the sweat, to salute the creator during the women’s jingle dress healing dance; and so on. The fan is ever present in the healing circle of our lives.

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Harlen Chavis (Lumbee)

The sap from pine trees is medicine that lives within the needles. Even though the basket is empty, it is full of medicine. Made from coiled pine needles, in essence the basket itself is medicine, offering healing to all who encounter it.

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Jane Osti (Cherokee)

I think of the spiral of life as the center of our being. Moving from the center throughout life on the spiral with healing, growing and abundant life.

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Kanchan Balsé

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Kelly Church (Grand Traverse / Band Ottawa / Chippewa)

Crane Plague Doctors Mask and Doctors Bag of Healing

This piece is dedicated to my great grandmother and her sisters who were the community doctors and used herbs and medicines they collected from Michigan woods and forests. These medicines also included good thoughts as they worked on those they were assisting in a healing process. The words written on the inside lid of the suitcase are words to live with and by for a better world and tomorrow. The hands on the cape represent our missing and murdered Indigenous Men and Women and Native Children who were taken to boarding schools and never made it home. May we acknowledge truths and begin a healing process good for all.

Breathe (Front)

This word is something not to be taken for granted. For some it is never thought of, just something that we all do each day. For some it is a privilege, and the right to breathe is used as a weapon against them, for some it is a right to breathe on whoever and whatever they wish, no matter the consequences it may have on others. No matter how you view this inherent right to Breathe, remember it is everyone’s right to Breathe, and not a privilege nor is it a weapon.

Floral and Fauna (Back right)

This mask shows the beauty of our Michigan environment and the life that depends on it. Breathe in all that is Michigan.

Let Us Heal (Back Left)

This mask is made with the healing properties of copper, which has been proven beneficial to healing, and our black ash – which teaches us to work together and helps to heal our hearts.

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Khinsley Locklear

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Molly Murphy

My work serves as a cultural narrative, an expression of personal experience, and an exploration of form and function. I use specific materials and designs to connect with my tribal art forms from antiquity while material and content choices embrace the reality of my modern mixed heritage. My designs originate from older traditional sources and combined with beadwork and embroidery techniques create a specific textural and tactile experience necessary for me to explore the relationship between data and knowledge. I use the visual language of color and shape to articulate new observations on politics, history, and identity.

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Senora Lynch (Haliwa Saponi)

Our hands are powerful. We can heal with our hands by a simple touch. When your hands touch the medicine plants you have doubled the gift of healing. When you go to Mother Earth. You are healed and she is healed. This healing knowledge comes from my Mothers, Mother, Mother from the Haliwa-Saponi  indigenous people

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Starr Hardridge (Muskogee)

A boy in the woods walks to the edge of a clearing. He simultaneously tramples upon flowers as he blows seeds of hope out into the world. He is a reflection of Hesaketvmese (breath giver/breath taker).This reciprocity is apart of traditional Mvskoke thought. Breath is an essential element in traditional Mvskoke medicine which is administered by a medicine man.  

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Sue fish (Chickasaw)

The Choctaw elbow basket is woven commonly by rivercane outer bark which has two cone-shaped arm-type extensions with a handle for hanging.  It was a useful tool for storing outdoor cooking utensils. Due to its naturally well controlled aeration, the elbow basket was also used by medicine men and healers to dry various herbs, plants and roots which were used to minister to the sick.

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Tony Tiger (Sac & Fox / Seminole Good Medicine)

Good Medicine is from a new series of creations titled Indigenous Hunting. The idea of practicing the traditional ways of my ancestors like hunting and fishing brings a connection of soul with my tribal heritage. I learned this practice from my grandfather and uncle. My cousin, siblings and I enjoyed the time spent in the field, forest and rivers as our teachers of harvesting wild game. Recently I enjoyed hunting on Kiowa land in Oklahoma with a fellow Seminole, I spent the entire day sitting, watching the sun move over the landscape. Although we did not harvest game that day, my soul was full recalling past hunts, and enjoying the current hunt.

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This exhibition will open on Saturday, February 25th, with an Opening Reception from 6-9 pm.

We invite you to stay during the opening reception for a Curatorial Conversation with guest Curator Nancy Strickland Fields at 7:30 pm. 

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